Cécile Emmanuelle Borra’s scopophilic gaze is one that falls on an increasingly commodified male body, or rather her pointed attention to the male body's most obvious defining feature is decidedly aware of the mechanics of its commercialisation. The fragmentation and objectification of male genitalia echoes the carnivalesque and often crass representations of the female body in fashion and advertising.
Some sort of libidinous choreography and anthropomorphic 'cute-ifying' made of cut-outs from glossy magazines, trophy paraphernalia and colourful assemblages, which C. E. Borra brings together with a knowing yet pleasure-giving critique.
Phoebe Blatton